Todd Philips delivers a new standalone origin story for the clown with the cracked smile. Joaquin Phoenix plays Joker as a lightning rod for a sick world. A clown-for-hire by day, he spends nights as a struggling stand up comic. But when he is pushed too far, Joker is ready to regurgitate Gotham City’s hate.

Editor Alain (Guillaume Canet) rejects the latest piece of veiled autobiography from author Léonard. But that's OK: he has his affair with Alain’s wife, actress Selena (Juliette Binoche) to comfort him. After all, his wife Valérie has little time for his self-indulgence nor his imbroglios. But events force them into confronting their double lives.

Royal Opera favourite Bryn Terfel heads the cast for this new production of Donizetti's comedy of domestic drama across two generations.

Director Ken Loach teams once again with I, Daniel Blake screenwriter Paul Laverty for another powerful indictment of the capitalist forces shaping modern Britain. No one else is making films with the urgency of Loach, and the performances here have a raw honesty that cuts to the humanity of complex political problems.

Just when you think it's safe to develop a computer consciousness that is self-aware, along comes another Terminator to remind you it's probably not for the best. In Dark Fate, a terrifying liquid metal Terminator is sent back by Skynet to destroy Dani - a teenage girl who has a pivotal role in humanity's future - and a hybrid cyborg. They must enlist Sarah Connor (Linda Hamilton, returning for the first time since Terminator 2) and the T-800 (Arnold Schwarzenegger) to help fight off this new threat and save civilisation from another AI-enhanced apocalypse.

Alexandre lives in Lyon with his wife and children. One day he learns by chance that the priest who abused him when he was in scouts is still working with children.