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Nominated for 6 Oscars including Best Picture, and already the most successful Palme d’Or winner ever, Parasite is what happens when the have-nots have their day. A deliciously fun poisoned cocktail of dark humour, social satire and perfect set pieces, this gripping thriller is a sensational experience that keeps surprising to its last drop.

The story of a family and a company that changed the world, told in three parts on a single evening. Academy Award-winner Sam Mendes (Skyfall, The Ferryman) directs Simon Russell Beale, Adam Godley and Ben Miles who play the Lehman Brothers, their sons and grandsons.

Terrence Malick’s three-hour epic probes places the world of men against the call of the eternal. Based on the true story of Franz Jägerstätter (August Diehl), we find him in the secluded bucolic idyll of the Austrian mountains, surrounded by his young family. But as the Second World War rages and he is called to swear allegiance to the German army and Adolf Hitler, he refuses. So begins an agonising battle with the state, his wife (Valerie Pachner) and his own soul.

Celine Sciamma (Girlhood, Tomboy) delivers a masterpiece of 18th century obsession and desire. The year is 1760 and Héloïse (Adèle Haenel) is to be married off. Marianne (Noémie Merlant), who is employed as her companion for walks, has also been secretly commisioned to paint Heloise.

Bi Gan’s audacious second film culminates in a 59 minute single take shot that takes the audience into a jaw-dropping dream state, which now thanks to Curzon Voyager can be seen in the filmmaker's intended 3D.

James McAvoy returns to the stage in an inventive new adaptation of Cyrano de Bergerac, broadcast live to cinemas from the West End in London.

Tchaikovsky’s essential masterpiece returns with a new cast for the most beloved ballet in the classical canon. Technically challenging and filled with vibrant emotion, with a stunning and world-famous corps de ballet in perfect unison, the legendary love story between Prince Siegfried and the dual personalities Odette/Odile, born at the Bolshoi Theatre, is a must-see.

Choreographer Cathy Marston is previously an Associate Artist of the Royal Opera House and Director of Bern Ballett, and much in demand internationally. The inspiration for her first work for The Royal Ballet Main Stage is the momentous life and career of the cellist Jacqueline du Pré. A new work by Liam Scarlett, The Royal Ballet’s Artist in Residence, provides the second part of the programme.

In the Met’s first-ever performances of Agrippina, Handel's satire of sex and power politics, Sir David McVicar reconceives a production evoking a scandalous world in which the Roman Empire never fell but simply kept going right up to the present. Joyce DiDonato stars as the power- hungry empress.

For the first time at the Met, Sir Bryn Terfel sings the role of the mysterious Dutchman, condemned to roam the seas for eternity, with Anja Kampe as the devoted Senta, whose love can set him free.

Beethoven's only opera is a masterpiece, an uplifting story of risk and triumph. In this new production, conducted by Antonio Pappano, Jonas Kaufmann plays the political prisoner Florestan, and Lise Davidsen his wife Leonore (disguised as 'Fidelio') who daringly sets out to rescue him. Set in strong counterpoint are the ingredients of domestic intrigue, determined love and the cruelty of an oppressive regime.

The star-crossed lovers’ tragic fate inspired Prokofiev a remarkable cinematic score, from the delicate theme of Juliet to the ominous Dance of the Knights. Bolshoi stars Ekaterina Krysanova and Vladislav Lantratov wholly embody the two eternal lovers in Alexei Ratmansky’s stunning evocation of love at first sight.

While remaining faithful to the Marius Petipa/Lev Ivanov text, Scarlett's additional choreography and John Macfarlane's magnificent designs breathe new life into what is arguably the best-known and most-loved classical ballet.

The story of Christ's death and resurrection has dominated western culture for the past 2000 years. It is perhaps the most significant historical event of all time, as recounted by the gospels but, equally, as depicted by the greatest artists in history.

Sir David McVicar’s bold staging of Puccini’s operatic thriller returns with star soprano Anna Netrebko as the passionate title diva, opposite Brian Jagde as her lover, the idealistic painter Mario Cavaradossi.

One man has seen more of the natural world than any other. This unique feature documentary is his witness statement. The film will be followed by a Q&A with David Attenborough live from the World Premiere at the iconic Royal Albert Hall.

Balanchine built an homage of captivating beauty to the three dance schools that had forged his style, each represented by a contrasting gemstone. Jewels offers a unique occasion to enjoy the genius of choreographer’s visually captivating work performed by some of the world’s most dazzling dancers.

Two opera classics are drawn together in this wonderfully observed re-creation of life in a south Italian village as a travelling theatre visits and emotions erupt.

Donizetti’s drama, focused on the political and personal rivalry between two queens, returns to the Met with Diana Damrau as the doomed Mary, Queen of Scots, and Jamie Barton as her rival, Queen Elizabeth I.

Rural Suffolk in England, 1759. As the country waits for Halley’s comet, a young woman is sentenced to hang for a heinous murder.

Dante's Divine Comedy is an epic journey through the afterlife: it encompasses the horrifying drama of Inferno and its damned, the lyrical mysticism of pilgrims on mount Purgatorio and the dazzling spheres of Paradiso with their endless configurations of

This uncompromising opera, about a daughter intent on bloody revenge and a mother driven to madness, has provoked critics to lively debate and both shocked and excited audiences since its 1909 premiere.

This highly engaging film takes us on a journey through the life of one of the most prevalent female icons: Frida Kahlo. She was a prolific self-portraitist, using the canvas as a mirror through all stages of her turbulent and, at times, tragic life. Guided with interview, commentary and Frida's own words, Exhibition on Screen uncovers that this, however, was not a life defined by tragedy.